The role of visual art as more than just image is often dismissed in today’s fast-paced, unreflective culture. As can be seen from Henri Nouwen’s writings, Rembandt’s Return of the Prodigal Son is not to be relegated to hanging on a wall for visual appreciation, but it is a call to self-reflection and repentance. The fact that Nouwen’s life was so changed not just by a painting, but by the implications and theological teaching of a painting is thought-provoking and inspiring. Good art is capable of teaching truth.
What stuck with me most about the beginning chapters of Return were Sue Mosteller’s advice to Nouwen: “Whether you are the younger son or the elder son, you have to realize that you are called to become the father.” As I read, I was considering which role fit me more: the rebellious, adventurous child, or the haughty, jealous, self-righteous older brother? Nouwen’s friend brought up an important point; while Christians often think about their faults, which sins they might be committing, what kind of rebellion in which we might be taking part, it is easy to forget that the purpose of such self-reflection is to strive to become more like the Father.
I find it somewhat difficult to identify with a son becoming like a father, though, because it is such a masculine image. I do not really want to take on a role or character like a father as Nouwen talks about, but perhaps the call to spiritual maturity can be heeded nonetheless.
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